curated by Bruno Casini and Cricket’s Lullaby.

An annual appointment of Intercity Winter by the cultural association Teatro Della Limonaia in Sesto Fiorentino.

An happening dedicated to the Emilian writer, on the occasion of the third revised and expanded edition of

Tondelli e la musica, colonne sonore per gli anni ‘80 edited by Bruno Casini (Interno4 edizioni).

Participants include:

Alessandro Agostinelli (Festival del Viaggio), Annamaria Ricci and Silvia Orlandi, Sara Modesti (Cricket’s Lullaby), Nicola Vannini (Soul Hunters), Vincenzo Striano (Hottanta Remix), Patrizia Asproni (Culture manager), Stefano Magnaschi (Cricket’s Lullaby), Giacomo Aloigi ( Cricket’s Lullaby) Luca Locati Luciani (Centro Documentazione Aldo Mieli Carrara), Michele Rossi (Gabinetto Vieusseux), Roberta Perugini (Libraccio Firenze), Dorothea Bruno, Andrea Sbandati (Hottanta Remix), Dimitri Milopulos (director), Cesare Pergola (artist and director), Antonella De Pascale (artist), Barbara Pignotti (actress), Valerio Aiolli (writer), Bruno Casini (writer), Andrea Rega (actor), Giovanni Bogani (film critic and writer), Fabio Capanni (musician).

Special guest:

Crichet’s Lullaby in a concert dedicated to Brian Eno

in collaboration with Music Pool and Hottanta Remix

Sara Modesti (vocals)

Stefano Magnaschi (bass)

Giacomo Aloigi (piano and synth)

will be accompanied on stage by Tommaso Damianou (guitars).

The Crickets’ Lullaby return to the stage of the Teatro della Limonaia in Sesto Fiorentino for the second year running, to pay homage to Pier Vittorio Tondelli through the performance of songs by artists beloved by the writer from Correggio. For this 2024 edition of the ‘Tondelli reading’ they will propose a set entirely dedicated to Brian Eno, with pieces chosen from two of his most significant and influential albums for all avant-garde music (but not only) of the 1970s and 1980s: ‘Another Green World’ and ‘Before and after science’.

Pier Vittorio Tondelli made us realise through his writing that music was the soundtrack of our lives at every happy or difficult moment.

I spend hours and days and nights chasing a word, that one word. I don’t care about plots, plots, those little shits there. Television stuff, I don’t waste my time chasing third world drama, that stuff! I go with my ear. I simply try to make the silent words on the page spread their sound, their voice. So that a cerebral hum is created, which is the music of the page, its rhythm. I look for the rhythm, the music of my years, I try to have a phrase that I can sing in my head, yes sing, the exact same thing. I make music with my words.

info@teatrodellalimonaia.it;  www.teatrodellalimonaia.it